C: Great movie master of pure form. I am a little worried about next productions Quientina. In odgrażał interviews that now will be devoted to work on the great epic of the Second World War. The work is to be absolute. No wonder that every year puts the premiere. Now, "Inglorious Bastards" is announced for 2008.
Fortunately for me, quite unexpectedly, the screens went Grindhouse. Light, fast shot, engaging story. And this from a very recent moral.
key: One of the coolest films I have seen. Great dialogue, as usual, extra music, sexy grandmother, well, perverse and sensational story.
C: I jeszcze fajne ciuchy. Słyszałem, jak się zachwycałaś.
Klu: I Kurt Russel...
C: No tak, tym razem jako podstarzały zboczeniec z blizną.
Klu: Dawno go nie widziałam i chyba nigdy nie grał tak dobrze. Do tego jest tyle nawiązań do wcześniejszych filmów Quentina (głównie do Killa Billa), że można Death Proof oglądać wiele razy dla samych smaczków i się nie nudzić. Ja od razu po wyjściu miałam ochotę wrócić po dokładkę - po to, żeby zapamiętać choć one of the characters talk. Or to spot various types of evidence for this great skirt you are talking about.
C: Tarantino, like all of his films since "Reservoir Dogs" in "Kill Bill" refers to one of low currents, which I watched as a young man in the rental. In the U.S. call it a general term for Grindhouse, or exploitation film. This time the car reached for the films, the sign of a cult "vanishing point". The main protagonist here is a black car-killer.
key: But it may fairly the history .. Much more interesting is what I noticed after leaving the theater - how much Quentin close to Almodovar. It is a film about women - smart, sexy, liberal and sometimes very dangerous. And for this - holding together, treating guys a little bit like the sideline. Very fresh, but again not so unexpected - at the end of Kill Bill is a 'women's cinema'.
C: right. I am very pleased with the attention. But I would still at the end, short of the two sciences, which provide their young fans of Tarantino.
First, the murder weapon is a serial killer "Śmiercioodporny" car, which allows the driver escaped from the largest pile. The criticism of the liberal right to possession of weapons the United States, cars, killing four times more people than guns and Japanese swords.
second moral is more idiosyncratic. As in any good grindhousie a happy ending, the film Tarrantino all look forward to when the screen comes to the brutal lynching. But such wisdom from the usual flow of folk art.
Fortunately for me, quite unexpectedly, the screens went Grindhouse. Light, fast shot, engaging story. And this from a very recent moral.
key: One of the coolest films I have seen. Great dialogue, as usual, extra music, sexy grandmother, well, perverse and sensational story.
C: I jeszcze fajne ciuchy. Słyszałem, jak się zachwycałaś.
Klu: I Kurt Russel...
C: No tak, tym razem jako podstarzały zboczeniec z blizną.
Klu: Dawno go nie widziałam i chyba nigdy nie grał tak dobrze. Do tego jest tyle nawiązań do wcześniejszych filmów Quentina (głównie do Killa Billa), że można Death Proof oglądać wiele razy dla samych smaczków i się nie nudzić. Ja od razu po wyjściu miałam ochotę wrócić po dokładkę - po to, żeby zapamiętać choć one of the characters talk. Or to spot various types of evidence for this great skirt you are talking about.
C: Tarantino, like all of his films since "Reservoir Dogs" in "Kill Bill" refers to one of low currents, which I watched as a young man in the rental. In the U.S. call it a general term for Grindhouse, or exploitation film. This time the car reached for the films, the sign of a cult "vanishing point". The main protagonist here is a black car-killer.
key: But it may fairly the history .. Much more interesting is what I noticed after leaving the theater - how much Quentin close to Almodovar. It is a film about women - smart, sexy, liberal and sometimes very dangerous. And for this - holding together, treating guys a little bit like the sideline. Very fresh, but again not so unexpected - at the end of Kill Bill is a 'women's cinema'.
C: right. I am very pleased with the attention. But I would still at the end, short of the two sciences, which provide their young fans of Tarantino.
First, the murder weapon is a serial killer "Śmiercioodporny" car, which allows the driver escaped from the largest pile. The criticism of the liberal right to possession of weapons the United States, cars, killing four times more people than guns and Japanese swords.
second moral is more idiosyncratic. As in any good grindhousie a happy ending, the film Tarrantino all look forward to when the screen comes to the brutal lynching. But such wisdom from the usual flow of folk art.
0 comments:
Post a Comment